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Home/Vacuum Sealers/Nikon AF-S FX NIKKOR 50mm f/1.8G Lens with Auto Focus for Nikon DSLR Cameras
Nikon AF-S FX NIKKOR 50mm f/1.8G Lens with Auto Focus for Nikon DSLR CamerasProduct image from current catalog data
Best Overall

Nikon AF-S FX NIKKOR 50mm f/1.8G Lens with Auto Focus for Nikon DSLR Cameras

By Nikon

9.8Excellent matchFeature and use-case score

The one lens here with no compatibility caveat: an FX prime Nikon states is optimised for edge-to-edge sharpness on both FX and DX bodies, with SWM autofocus and an M/A override switch.

  • FX-format 50mm prime at f/1.8, which Nikon states is optimised edge to edge on both FX and DX...
  • Picture angle of 47 degrees in 35mm terms, with a minimum focus distance of 1.48 ft (0.45 m)
  • Silent Wave Motor (SWM) autofocus with an M/A focus mode switch for instant manual override
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ByTopFiveFind Research Desk

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Best fitBest Overall
CategoryVacuum Sealers
BrandNikon
Catalog score9.8 / 10

Product overview

Nikon AF-S FX NIKKOR 50mm f/1.8G: What to Know

This is the safe and the best choice simultaneously. It is AF-S, so it uses Nikon's Silent Wave Motor and carries physical controls rather than depending on camera menu entries, which means it works across the enormous range of Nikon DSLRs that AF-P lenses exclude. And it is FX, so it covers a full-frame sensor, while Nikon states explicitly that the optical formula is optimised for edge-to-edge sharpness on both FX and DX format DSLRs. There is no body in Nikon's DSLR range where this lens is the wrong choice.

The specifications are precise. A picture angle of 47 degrees in 35mm terms, a minimum focus distance of 1.48 feet, 0.45 metres, a newly developed optical system with an aspherical element, and a 58mm filter thread. The barrel measures approximately 2.83 inches from the mounting flange. The M/A focus mode switch is the detail worth understanding: it lets you grab the focus ring and override autofocus instantly without flipping to manual mode, which is faster than Canon's equivalent arrangement on comparable lenses.

What it does is the same thing an f/1.8 prime does on any system. It gathers far more light than any zoom in this guide, which fixes indoor photography, and it separates subject from background in a way a variable-aperture zoom cannot. On a DX body the crop makes it frame like a 75mm, which is a portrait length; on FX it is a normal lens.

Two honest notes. There is no vibration reduction, despite what the Amazon detail table claims, and Nikon DSLR bodies have no in-body stabilisation either, so there is no safety net at slow shutter speeds. And the listing's final bullet, lens not zoomable, is a cataloguing artefact rather than information: it is a fixed 50mm prime, which is the point.

Key Listed Features

01

FX-format 50mm prime at f/1.8, which Nikon states is optimised edge to edge on both FX and DX bodies

02

Picture angle of 47 degrees in 35mm terms, with a minimum focus distance of 1.48 ft (0.45 m)

03

Silent Wave Motor (SWM) autofocus with an M/A focus mode switch for instant manual override

04

Aspherical lens element, 58mm filter thread, approximately 2.83 inches long, with no vibration reduction

Buying questions

Quick Answers

Should a DX shooter buy the 50mm or the 35mm?

The 35mm, usually. On a DX body the 1.5x crop makes a 35mm frame like roughly 52mm, a natural everyday field of view, while the 50mm frames like 75mm, which is a portrait length. If you want one fast prime for general use on a D5600 or D7500, the 35mm DX is the right answer. The case for the 50mm f/1.8G on DX is that it is an FX lens, so it survives a future move to a full-frame body, where the 35mm DX would start cropping.

What does the M/A switch do?

It sets the lens to a mode where autofocus runs normally but grabbing the focus ring instantly overrides it, without you needing to flip a switch to manual first. The alternative, plain M, is full manual. In practice M/A means you can let the camera focus and then nudge it by hand in the same motion, which matters for portraits where you want the eye rather than the nose, and for any situation where autofocus picks the wrong subject.