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Home/Vacuum Sealers/Takumar 55mm F1.8 Lens for Pentax Film and Digital Cameras, M42 screw mount, adapter required
Takumar 55mm F1.8 Lens for Pentax Film and Digital Cameras, M42 screw mount, adapter requiredProduct image from current catalog data
Most Honest Listing

Takumar 55mm F1.8 Lens for Pentax Film and Digital Cameras, M42 screw mount, adapter required

By Takumar

9.1Excellent matchFeature and use-case score

Two bullets long, and one of them is Adapter Required, which makes it the only listing here that states the thing every vintage buyer needs told.

  • States Adapter Required outright, the only listing in this guide to do so
  • M42 screw mount, the most widely supported vintage mount with the cheapest adapters
  • 55mm f/1.8 manual-focus standard prime from Asahi's well-regarded Takumar line
See Price at the store →Price, delivery, and configuration can change at the retailer.
ByTopFiveFind Research Desk

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Best fitMost Honest Listing
CategoryVacuum Sealers
BrandTakumar
Catalog score9.1 / 10

Product overview

Super Takumar 55mm f/1.8 M42: What to Know

This listing has the fewest words and the most useful ones. Its entire bullet list is two lines: Good Condition, Well Rated Lens, and Adapter Required. That second line is the single most important fact about any vintage lens on a modern camera, and it is the one every other listing in this guide leaves the buyer to work out. Credit where it is due.

The lens itself is the Asahi Super Takumar 55mm f/1.8, which has a reputation as one of the best-built and best-corrected standard primes of its era. It is an M42 screw-mount lens, which is the universal thread mount used by Pentax, Praktica, Zenit and many others, and that is a real advantage: M42 adapters are the cheapest and most widely available of any vintage mount, because so many manufacturers used the same thread.

The stated optics are a 55mm fixed focal length at f/1.8 maximum aperture, manual focus, in the standard prime class.

Being M42 rather than a proprietary bayonet also means it mounts on Pentax's own modern bodies with a simple adapter, which is unusual: most vintage systems do not adapt forward onto their own manufacturer's current cameras.

Two honest notes. The listing is minimal in both directions: Good Condition is all you get about the glass, with no statement about fungus, haze, separation or aperture oil, so this is the opposite of the Nikon's detailed disclosure. And some Takumars of this period used thoriated glass in certain elements, which yellows over decades; that affects color balance rather than safety in normal use, and this listing says nothing either way, so ask the seller if color matters to you.

Key Listed Features

01

States Adapter Required outright, the only listing in this guide to do so

02

M42 screw mount, the most widely supported vintage mount with the cheapest adapters

03

55mm f/1.8 manual-focus standard prime from Asahi's well-regarded Takumar line

04

Adapts onto Pentax's own modern bodies, which most vintage systems cannot do

Buying questions

Quick Answers

Why is M42 easier to adapt than other mounts?

Because it is a thread rather than a proprietary bayonet, and because dozens of manufacturers used the same thread. M42 is a 42mm screw thread with a standard pitch and flange distance, adopted across Pentax, Praktica, Zenit, Yashica, Mamiya and others, so a single M42 adapter for your camera works with lenses from all of them. That scale makes M42 adapters the cheapest and most plentiful vintage adapters available, and it means an M42 lens is the lowest-friction way into vintage glass. Proprietary mounts like Canon FD or Minolta SR need their own specific adapter each.

Is yellowed thoriated glass a problem?

It is a color problem rather than a usability one in ordinary handling. Some lens designers of the 1950s to 1970s used thorium-bearing glass for its optical properties, and over decades it develops a yellow or brown tint that shifts color balance warm, which matters for color film and is largely correctable in digital processing. The radiation involved is low and is a consideration for storage rather than for photography. The tint can be reduced by prolonged exposure to strong ultraviolet light. Since this listing says nothing about it, ask the seller to describe the color of the glass if you shoot color film.